The Clean: A Legacy of Lo-Fi Innovation and Influence
The Clean, a pioneering New Zealand band, has left an indelible mark on the world of indie music, with their unique blend of lo-fi DIY spirit and psychedelic influences. Their journey began in the late 1970s, with brothers Hamish and David Kilgour and Peter Gutteridge, who crafted a sound that would go on to inspire some of the most influential indie acts of the 1990s and beyond.
One of their earliest and most impactful releases was the EP 'Boodle Boodle Boodle' (1981), which showcased their ability to create a massive sound from minimal resources. The EP's title track, 'Point That Thing Somewhere Else', is a prime example of their innovative approach, featuring a bass line from Peter Gutteridge that became the foundation for a song that hit No. 5 in the New Zealand music charts. This achievement was all the more remarkable given the lack of commercial airplay, highlighting the band's ability to connect with audiences on a deeper level.
The Clean's live performances were equally as captivating, as evidenced by the 15-minute live recording of 'Point That Thing Somewhere Else' from 1981. This performance, captured with just three people, showcases the band's confidence and instinctive dynamic, with Hamish Kilgour's drumming and singing taking center stage. The song's energy and raw power are a testament to the band's ability to create an immersive experience, even with limited resources.
In 1982, the band released their second EP, 'Great Sounds Great, Good Sounds Good, So-so Sounds So-so, Bad Sounds Bad, Rotten Sounds Rotten', which featured 'Slug Song'. This track showcases a slight departure from their earlier sound, with a dinky cheap chimney organ riff and clattering drums building up to a hypnotic swirl. The song's lyrics, with Kilgour's Dylanesque delivery, caution against the 'grip of the insipid', a message that resonates even today.
The Clean's influence extended beyond their music, as they became a source of inspiration for other artists. Their ability to create a unique sound from limited resources and their DIY approach to music production set them apart from their contemporaries. This influence can be seen in the work of indie acts like Pavement, Yo La Tengo, and Guided By Voices, who have cited the Clean as a major source of inspiration.
The band's later work, such as the album 'Unknown Country' (1996), also showcases their evolution and experimentation. The song 'Franz Kafka at the Zoo' is a standout track, with its beguilingly atmospheric and literary lyrics. The song's whispered vocals and nonsensical narrative create a sense of mystery and intrigue, a testament to the band's ability to push boundaries and explore new sonic territories.
The Clean's impact on New Zealand music cannot be overstated. Their influence on Flying Nun Records and independent music in New Zealand and internationally has been profound. Their ability to create a unique sound and connect with audiences on a deeper level has made them a cornerstone of the indie music scene.
In conclusion, The Clean's legacy is one of innovation, influence, and a commitment to their artistic vision. Their music continues to inspire and captivate audiences, and their impact on the indie music scene is immeasurable. As Grant Robertson, the former New Zealand deputy prime minister, attests, the Clean's song 'Anything Could Happen' has become a timeless anthem for a country coming of age. The band's ability to create a unique sound and connect with audiences on a deeper level is a testament to their enduring appeal and influence.
